NEW YORK — There’s little in contemporary movies quite like the arrival of a new Jordan Peele film. They tend to descend ominously and mysteriously, a little like an unknown object from above that casts an expanding, darkening shadow the closer it comes.
“Nope,” the writer-director’s third film, is nearly here. After Peele’s singular debut, “Get Out,” about the possession of Black bodies and the fallacy of post-racial America, and…